Selasa, 04 September 2012

[N908.Ebook] Ebook Download Inside the Lion's Den: The Life and Submission Fighting System of Ken Shamrock, by Ken Shamrock, Richard Hanner

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Inside the Lion's Den: The Life and Submission Fighting System of Ken Shamrock, by Ken Shamrock, Richard Hanner

Inside the Lion's Den is the remarkable story of Ken Shamrock's ascent to the top of reality martial combat.

A legendary Mixed Martial Arts (MMA) fighter and former professional wrestler, Shamrock is an inspiration to thousands. This is the story of his rise from a troubled youth to champion in the ring in both America and Asia. The first "King of Pancrase" in the Japanese fighting circuit, and the first "Superfight Champion" of the Ultimate Fighting Championship (UFC), Shamrock also founded the Lion's Den in Northern California, a facility that has trained many champion MMA fighters.

Readers and fans will learn the secrets of Shamrock's ultra-efficient submissions fighting system and the training regimen that he and his trainees followed. With over 150 dynamic photos, Inside the Lion's Den is both an inspiring portrait of the fighter known as the "World's Most Dangerous Man" and an invaluable guide for the martial artist, novice and master alike.

  • Sales Rank: #499378 in Books
  • Color: Multicolor
  • Published on: 1998-03-15
  • Released on: 1998-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 6.00" l, .76 pounds
  • Binding: Paperback
  • 224 pages

About the Author
Ken Shamrock is the legendary martial artist who dominated no-holds-barred martial arts competition in both America and Asia. He was the first Superfight champion of the Ultimate Fighting Championship, the popular martial arts event, and the first King of Pancrase, the pioneering Japanese fighting circuit. He is also the founder of the Lion's Den in Northern California, where many of the world's top bare-knuckle warriors hone and harden their skills. Step into the Lion's Den and learn the remarkable story of Shamrock's rise from a troubled youth to the pinnacle of reality martial combat. Learn, too, the secrets of Shamrock's ultra-efficient submissions fighting system and the training regimen that makes his fighters champions in the United States, South America, and Asia.

Richard Hanner is a bureau chief and columnist for The Stockton Record where he has won numerous awards for enterprise and feature writing. His freelance work has appeared in a variety of publications, including Parade, the California Journal, and Runner's World. He lives in Woodbridge, California.

Most helpful customer reviews

18 of 20 people found the following review helpful.
Great book
By Joseph L. Scott
I just wanted to say that I think this is a great book and a must buy for both Ken Shamrock and mixed martial arts fans. Please do not believe the hype from some of the other reviews stating that the book is unduly biased. That simply is not true. Mr. Shamrock openly reveals his mistakes in his losses and does not ridicule or down grade any opponent, ie: he speaks well of the Gracies, explains what caused the personal frictions between him and Dan Severn. Many times people confuse confidence with cockiness, as the great Muhammad Ali used to say, "It ain't braggin if you can do it!" Being the first King of Pancrase, and the first Superfight Champion, Ken Shamrock was the best mixed martial artist in the world; he has definitely proven that he can do what he says. Yes Ken Shamrock is confident, but he is not arrogant. Many interesting insights you'll learn about his personal life, the politics of the Ultimate Fighting Championship, his fighting style, and the Lion's Den. Buy it if you're a fan of Ken Shamrock!

9 of 10 people found the following review helpful.
This is a great book
By Sunny Wazorick
This is a great book. It is a great and informative book, while not being boring. Anyone who reads this book can easily appreciate what he has gone through to get where he is, and it is encouraging to people who will also need to go through alot to get to somewhere better.

3 of 3 people found the following review helpful.
Wonderful Insight Into The Man Personally & Professionally
By Raymond A. Mardo
This book will not only intrigue fans of all types of fighting styles that Ken Shamrock has competed in, it will also serve as a source of motivation and inspiration for all.

The book is creatively and effectively divided into two parts. The first half is ghost written, or at least co-authored, and chronicles Ken's life. It is a brief, yet very thorough and captivating life story.

The second half is a nuts and bolts introduction to all aspects of competing in mixed martial arts - from eating to strength training to technique.

"Inside The Lion's Den" is more than just a book about a tough guy who won some fighting contests and became a pro wrestler. "Inside The Lion's Den" delves deep into the trials and tribulations that chronicle Ken's awkward upbringing. His childhood was far from, "The Cosby Show" yet it is explained in a way that is quite unlike most biographies of high profile stars that claim of such horrible childhood life.

Too often are we subjected to a "Where Are They Now" documentary by some celebrity telling us that they were mentally abused, or how their horribly painful past forced them into a drug plagued life. Ken Shamrock doesn't mirror this all to common pattern. He simply tells about his life - and it doesn't appear to be one that most of us would have wanted at times.

The second half of the book can, and will, put any reader who isn't a professional athlete or combatant into shape. One will be surprised at the amount of inside information that Shamrock shares. I've met many mixed martial artists and several of them couldn't complete the training regimen that is covered here.

Some have belittled Shamrock for having the book co-authored, but that is a very unfair criticism. Ken Shamrock is a master fighter - an athlete - a competitor. He has a great story to share with us. Does any of that make him qualified to transfer that to paper and deliver it in a manner that is entertaining and interesting? No.

That is no disrespect to Ken. He is a master at what he does. And he is very smart for having a co-author. I would assume that Ken, and most of you, have an accountant prepare your taxes. We all bring in experts to handle tasks for us. There is no shame in that.

Professional wrestlers have amazing stories to tell and they are finally being shared with us all.

See all 91 customer reviews...

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Minggu, 02 September 2012

[I502.Ebook] Ebook Download Entrepreneurship: Ideas in Action (Marketing (modified)), by Cynthia L. Greene

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Entrepreneurship: Ideas in Action (Marketing (modified)), by Cynthia L. Greene

It's well known today that becoming a business owner is a career option. ENTREPRENEURSHIP: IDEAS IN ACTION 5E provides you with the knowledge needed to realistically evaluate your potential as a business owner. This text encourages you to examine all the major steps involved in starting a new business: Ownership, Strategy, Finance, and Marketing. As you complete the chapters, you develop a business plan and learn what it takes to get an entrepreneurial venture off to a good start. Market research, budgeting, selecting a business location, and financing the business are covered using real-life examples that you can easily relate to. Information on online research, including online business planning, is also included.

  • Sales Rank: #145186 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 2011-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.75" w x .75" l, 2.29 pounds
  • Binding: Hardcover
  • 448 pages
Features
  • Used Book in Good Condition

Review
1. SHOULD YOU BECOME AN ENTREPRENEUR? All About Entrepreneurship. Is Entrepreneurship Right For You? Explore Ideas and Opportunities. Problem Solving for Entrepreneurs. 2. ENTREPRENEURS IN A MARKET ECONOMY. Entrepreneurs Satisfy Needs and Wants. How Economic Decisions Are Made. What Affects Price?.3. DEVELOP A BUSINESS PLAN. Why a Business Plan is Important. What Goes Into a Business Plan? How to Create an Effective Business Plan. 4. IDENTIFY AND MEET A MARKET NEED. Identify Your Market. Research the Market. Know Your Competition. 5. MARKET YOUR BUSINESS. Develop the Marketing Plan. The Marketing Mix-Product. The Marketing Mix-Price. 6. DISTRIBUTION, PROMOTION, AND SELLING. The Marketing Mix-Distribution. The Marketing Mix-Promotion. Selling and Promoting. 7. SELECT A TYPE OF OWNERSHIP. Decide to Purchase, Join, or Start a Business. Choose a Legal Form of Business. Legal Issues and Business Ownership. 8. LOCATE AND SET UP YOUR BUSINESS. Choose a Location. Obtain Space and Design the Physical Layout. Purchase Equipment, Supplies, and Inventory. 9. PLAN AND TRACK YOUR FINANCES. Financing Your Business. Pro Forma Financial Statements. Recordkeeping for Businesses. 10. OPERATIONS MANAGEMENT. Operating Procedures. Inventory Management. Financial Management. 11. HUMAN RESOURCE MANAGEMENT. Identify Your Staffing Needs. Staff Your Business. Direct and Control Human Resources. 12. RISK MANAGEMENT. Business Risks. Insure Against Risks. Other Risks. 13: Management for the Future.

About the Author
Cynthia L. Greene taught business education at the high school level for 25 years. She taught in the Fulton County School System in Atlanta, Georgia, where she was a Cooperative Business Education Coordinator and chair of the business and career and technical education department. Cynthia has been active in the National Business Education Association (NBEA), serving on the Entrepreneurship Standards Committee as a writer and reviewer and as a writer for the Entrepreneurship Lesson Plans.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Drop the class!!!!!!!!
By Noah Jensen
I cannot stress enough. If your college professor is assigning this book for you course, Run... Run far away. It's is full of wikipediaesce writing, Shutterstock images that don't even match the concept being communicated, Horrible stories and no actual useful information. Drop the course and take something else. If you are in a Junior High School Entrepreneurship course, it will be a great resource for you. I am not kidding when I say one of the images they used of a "breadstore" clerk showed up in a advertisement for commercial trucks in Kazakhstan. I was on an Air Astana flight thumbing through the "in-flight" magazine and thought.. "I recognize this cheesy shutterstock image" I also noticed that they decided to choose a series of shutterstock images with an entirely different yet "ethnically" similar person to tell a continuing narrative. Monty was not the same Monty on page 248, 256, or 263.

1 of 1 people found the following review helpful.
needed for class
By Damian P.
book had been used (but i knew that before i had purchased) whoever 'Alicia and Javon Forever' are i hope things work out for you because Alicia tagged this book up and down, he must be a hell of a guy!

0 of 0 people found the following review helpful.
Excellent Service
By Chelsea
Book was exactly what was described. The book was also in excellent condition! Would defiantly recommend this book to everyone!

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Kamis, 23 Agustus 2012

[H710.Ebook] Download Great Short Games of the Chess Masters, by Fred Reinfeld

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Great Short Games of the Chess Masters, by Fred Reinfeld

Noted authority recapitulates 80 brilliant short games featuring lightning-quick winning strategies by Keres, Hanauer, Maroczy and scores of other great players who artfully outmaneuvered their adversaries. Author’s commentary helps make each game a unique lesson in the fine points of championship chess.

  • Sales Rank: #2495061 in Books
  • Published on: 1996-09-10
  • Released on: 1996-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: .44" h x 5.35" w x 8.37" l,
  • Binding: Paperback
  • 221 pages

Most helpful customer reviews

15 of 15 people found the following review helpful.
A wonderful book! For beginners thru intermediates.
By C. Dunn
80 highly tactical games, with venues and players named, annotated for the beginner.
This is what chess is all about! Amazing games. Glorious conclusions. A couple end in remarkable draws. Most finish with the inevitable threat of checkmate.
FEATURES
+ Digestible format. Each game looks like its own chapter, though it's only 2-3 pages. The brevity of the comments, the lightness of the annotations, and the shortness of the games all conspire to induce even a rank beginner into taking a bite. It's very easy to play out a single game when you find yourself with a few minutes to spare.
+ Breadth of coverage. Although this book is no-one's first choice for studying the openings, it certainly provides a convenient introduction. The games are grouped by opening, roughly in the order of their chronological popularity. The first half is dominated by open games, especially the King's Gambit and Ruy Lopez. In the middle, there are several of the French, the Sicilian, the Caro-Kann, and the Queen's Gambit. Finally, there are samples of modern openings, like the KID and English. There is no index; there wouldn't be a point.
+ Reinfeld's descriptions. They're brief, but they make the games interesting. He tells you what to watch for in plain English.
+ Useful, brief, understandable annotations. Typical chess annotations are of the form "instead of this move, which leads to this series of moves" and end with a position that is not obviously winning for either side. These are inscrutable to beginners. Reinfeld, however, only provides that sort of annotation when the result is decisive. Often, he instead lists the threats. In other words, he tells us what would happen if the next player skipped his turn. This is exactly what the beginner wants to know. He can think for a minute, "OK. So how would I counter that threat?" Then he can see the next move and understand why it was made.
DRAWBACKS?
OK. There are many ways to criticize this book. For example:
"Many of these games are against duffers!"
A: Yes, and often the master is hampered by considerable disadvantages (a blindfold, a simultaneous exhibition, a piece removed before the game even starts, or a free move for the opponent) which tend to level the playing field. Because the games are not nail-bitingly close, a beginner can understand the moves.
"There are too many mistakes in these games."
A: It is very useful to the beginner to see how to take advantage of mistakes. Most here are subtle, rather than outright blunders like leaving a piece en prise (attacked and undefended), but Reinfeld's verbal explanations are clear and cogent. Sometimes there is an obvious mistake, but only when the position is already lost.
"These games are all available elsewhere, in books and computer databases."
A: Yes, because they are classics. If they were lengthy struggles, I might recommend a computer or deep annotations, but not for such decisive games. Just watch and learn.
"The moves are in Descriptive Notation."
A: This is really not a problem when the analysis is so shallow. DN is fine for re-playing games (as well as for tactics puzzles, where NxN is actually easier to grasp than Nxf3). Don't be dissuaded by this.
"There is only 1 diagram per game. A beginner book should not require a board."
A: For one of these quick games, one diagram is almost too much. It mainly serves to remind you that you are reading a chess book! Well, it also reassures the beginner that he is following the moves correctly. Yes, this book requires a board. I enjoy moving the pieces and imagining that I am one of the great masters. I peek at the end to see which side wins, and I play his pieces, trying to guess the moves.
"It's very difficult to guess the master's move following a diagram."
A: True. Since the strong moves which follow the diagrams are far from obvious, this book is not useful for tactical drills. The purpose is to inspire. However, it is possible to look for the crushing blow near the end.
TRUST ME!
With these objections swept aside, there is much to love in this treasure trove. I cannot recommend this book highly enough. Once you know the rules and have lost a few games, you are ready for this book, and I hope you enjoy it as much as I have.

11 of 11 people found the following review helpful.
Fun book of instructive short games
By A Customer
This is really a book of chess traps showing you entire short games. Nice to learn how to handle tactics in opening play and get a little introduction to some of the openings. This is a good book for the advanced beginner through in-the-middle level player to learn from and learn the traps. I have always enjoyed books on opening chess traps and short games! This one is one of the better ones. Perhaps a little out dated in the openings used at the time the book was written but this does little to detract from the real value of the book - opening traps and tactics!

2 of 2 people found the following review helpful.
A Must-Have
By A Customer
This book belongs in every chesslover's library. The combinations and strategies are suberb. This and "The Immortal Games of Capablanca" are, IMHO, two of the finest books in chess literature. And both are by the same author

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Minggu, 19 Agustus 2012

[N292.Ebook] Free PDF Ben Franklin and His First Kite, by Stephen Krensky

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Ben Franklin and His First Kite, by Stephen Krensky

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Ben Franklin and His First Kite, by Stephen Krensky

Ten-year-old Ben Franklin finds working in his father's candle shop boring -- he'd much rather be doing experiments. He can't wait to try out his latest idea. With nothing but a simple kite, can Ben get across the pond -- without swimming a single stroke?

  • Sales Rank: #918949 in Books
  • Brand: Simon Spotlight
  • Published on: 2002-06-01
  • Released on: 2002-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .20" w x 6.00" l, .15 pounds
  • Binding: Paperback
  • 32 pages
Features
  • Great product!

From School Library Journal
Grade 1-3-Krensky's text about Franklin's first experiment with a kite is well written and conveys a number of known facts about the man. Throughout the easy-to-read story, Franklin has conversations with his friends and parents, and his observations are well described. Dodson's watercolor illustrations nicely portray details of the period. The children are skillfully drawn, and the action is well expressed in the art. This is a good addition to any collection for beginning readers.
Elaine Lesh Morgan, Multnomah County Library, Portland, OR
Copyright 2002 Reed Business Information, Inc.

About the Author
Stephen Krensky is the author of more than a hundred books for children, including How Santa Got His Job (an ALA Notable Book) and Big Bad Wolves at School. He and his wife, Joan, live in Lexington, Massachusetts. You can visit him at StephenKrensky.com.

Most helpful customer reviews

2 of 2 people found the following review helpful.
For kids
By A Customer
I found the book very good for younger kids. It is a good introduction to Ben Franklin for those who know little about his life as a young man. Easy to read and is a level 2.

1 of 1 people found the following review helpful.
Franklin experimented with kites more than once!
By Stephanie's Mommy Brain
A level 2 "Ready-to-Read" book from the "Childhood of Famous Americans" series this book provides a glimpse of the young Ben Franklin. Even as a child Franklin invented contraptions and conducted experiments. Here we learn that young Ben wanted a way to swim across the pond faster, so he used a kite to pull him across the water. Sort of a precursor to wind sailing.

I think this book inspires children to think creatively and look for solutions to everyday problems in their lives by telling the story of a real boy and his real experiment. A fun read for energetic and inquisitive boys!

1 of 1 people found the following review helpful.
Great story for kids
By Amber
This is a great short story that entertains & teaches the kids. You get familiar with an historical figure, learn a little physics (wind blowing kite blowing Ben across the pond) and watch ingenuity at work as a child! The kids love it because it's a real (or semi-real) story.

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Jumat, 17 Agustus 2012

[E798.Ebook] PDF Ebook A Short Introduction to Perturbation Theory for Linear Operators, by Tosio Kato

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A Short Introduction to Perturbation Theory for Linear Operators, by Tosio Kato

This book is a slightly expanded reproduction of the first two chapters (plus Introduction) of my book Perturbation Theory tor Linear Operators, Grundlehren der mathematischen Wissenschaften 132, Springer 1980. Ever since, or even before, the publication of the latter, there have been suggestions about separating the first two chapters into a single volume. I have now agreed to follow the suggestions, hoping that it will make the book available to a wider audience. Those two chapters were intended from the outset to be a comprehen� sive presentation of those parts of perturbation theory that can be treated without the topological complications of infinite-dimensional spaces. In fact, many essential and. even advanced results in the theory have non� trivial contents in finite-dimensional spaces, although one should not forget that some parts of the theory, such as those pertaining to scatter� ing. are peculiar to infinite dimensions. I hope that this book may also be used as an introduction to linear algebra. I believe that the analytic approach based on a systematic use of complex functions, by way of the resolvent theory, must have a strong appeal to students of analysis or applied mathematics, who are usually familiar with such analytic tools.

  • Sales Rank: #7159483 in Books
  • Published on: 2013-10-04
  • Released on: 2013-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .41" w x 6.10" l, .57 pounds
  • Binding: Paperback
  • 162 pages

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0 of 0 people found the following review helpful.
Good condition.
By Juan-Miguel Gracia
This book is a classic. Good condition.

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Kamis, 16 Agustus 2012

[R322.Ebook] Download Ebook Horsemanship Manual Composite (Level 1- Level 2 - Level 3 - Level 4), by CHA

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Horsemanship Manual Composite (Level 1- Level 2 - Level 3 - Level 4), by CHA

  • Sales Rank: #4766147 in Books
  • Published on: 1996
  • Binding: Paperback
  • 70 pages

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0 of 0 people found the following review helpful.
excellent
By Jerry Andersen
Horse people and trainers: this book has a lot of good information that you can use in your program. Good buy.

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Senin, 13 Agustus 2012

[Y736.Ebook] Free Ebook 90 Days To Your Novel: A Day-by-Day Plan for Outlining & Writing Your Book, by Sarah Domet

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90 Days To Your Novel: A Day-by-Day Plan for Outlining & Writing Your Book, by Sarah Domet

Got 90 Days? Then You Can Be a Novelist

Many famous authors write their novels in a matter of weeks. William Faulkner wrote As I Lay Dying in six weeks. Joyce Carol Oates often cranks out two or three books a year. Stephen King believes first drafts should take no more than three months to complete. So, what's the trick? Novel writing isn't about inspiration. It's about the time, energy, and discipline to see the project to its finish.

With The 90-Day Novel at your side, now is the time. This inspiring guide will be your push, your deadline, and your spark to finally, without excuses, and in three short months, nail that first draft of your novel.

The difference between wanna-be writers and real writers is the difference between talk and work. If you commit to the schedule and the techniques within The 90-Day Novel and invest two to three hours a day for twelve weeks, you will complete your book. An outline will appear. Characters will take shape. A plot will emerge. Scenes will come together and form a story worth reading. And then the talking can begin!

This helpful guide provides:

  • Instruction that distills the elements of the novel—from crafting your outline to developing intriguing characters and believable plots
  • Strategies for gaining support from your family and friends
  • Motivating insights about writing and writers to minimize your inevitable moments of doubt
  • A schedule to keep you in the writing zone and keep you focused, creative, and working
Whether you're writing your first novel or your third, this guide provides the coaching, the planning, and the writerly commiseration to help get your book written.

  • Sales Rank: #154353 in eBooks
  • Published on: 2010-11-29
  • Released on: 2010-11-29
  • Format: Kindle eBook

About the Author

Sarah Domet's work has been featured in journals such as Quarterly West, Many Mountains Moving, Potomac Review, Harpur Palate, Beloit Fiction Journal, and Ohio Valley History. She has worked on the editorial staff of The Cincinnati Review and has received many awards and fellowships, including The Charles Phelps Taft Dissertation and Research Fellowship, the New York State Summer Writers Institute Scholarship, and the Hatfield/Westheimer Short Story Prize. She has also presented her work at numerous conferences, and has taught a range of college writing and literature courses. She also works as a freelance writer and copyeditor, most recently developing a series of online fiction courses for WritersOnlineWorkshops.com.

Most helpful customer reviews

128 of 141 people found the following review helpful.
Basic primer for 1st-time novelists
By Amazon Customer
This book is really a primer workbook for someone who's never attempted a novel before and wants to - in 90 days - learn about writing them.

The first several exercises have you doing basic internal explorations by writing descriptions of people you know and memories you've had. Another has you create 10 characters, which may (or may not) have a place in your novel. Make a list of 20 opening lines. Depending on where you are with your novel, these activities may or may not have value.

After the brainstorming, you'll create an outline. If your process doesn't play well with outlines, her advice is "Get over it." Later, much of the book has you write a scene one way, analyze it, and then in many "lessons," rewrite it another way.

As a teaching tool, that probably works. For me, though, when writing for publication, this kind of analysis and revision come too soon in the writing process. It takes too much time from the act of just getting everything down first, so I can see how all my scenes work together, versus crafting some of them individually this way.

If you're looking for a prescriptive process that's less instructive on basics, I'd recommend James V. Smith's "You Can Write a Novel" or Robert Ray's "The Weekend Novelist" (1st edition), or even "A Book in a Month" by Victoria Lynn Schmidt.

On a side note, the author has quite a lot of experience as a literary short story writer and editor, but I couldn't find any published novels. At the risk of sounding unfair, I tend to prefer instruction from writers who do have the added experience of publishing a finished novel. To me it brings an "I've been there" nuance to their advice that I find inspiring.

In the end, though, whether this book succeeds for you or not depends very much on the kind of writer you are. It just wasn't for me.

22 of 25 people found the following review helpful.
Foundational novel writing tips (by someone who's never written a novel)
By George E.
I would imagine that most everybody at one point or another fantasizes about writing a book. A quick search on Amazon turns up a myriad of self-help books aimed at satiating this urge: Books with titles such as “The 90-Day Novel,” “Book in a Month: The Fool-Proof System for Writing a Novel in 30 Days,” “Your Novel, Day by Day,” “Your First Novel,” and “90 Days to Your Novel.”

Apparently we not only want to write a book, but we also want to write it fast.

But do any of these primers actually work? Can we all become novelists because we read a book about writing a novel?

I decided to find out. I’ll admit, I had an ulterior motive. That’s right, I wanted to write a novel. After doing a fair bit of research, and reading the feedback that users were leaving for each title, I settled on Sarah Domet’s “90 Days to Your Novel.” This book purports to assist the first-time would-be novelist to complete a working first draft in a mere three months. Does this seem like a tall order? Yes, and Ms Domet makes no excuses for her up-front promise that you can expect to spend two or more hours per day writing in order to meet that goal. In fairness, there were some days, especially in the beginning, that I did not spend nearly this long.

First, a little background on the author. While she has published many short stories and nonfiction pieces in a variety of journals, as far as I can tell, she has never actually published a novel. Her blog site appears to not have been updated since March 2011. This is questionable. You may be asking yourself at this point if she has any information worth sharing with the would-be novelist.

The answer is: kind of, sort of.

The strength of this book, I would argue, is the tangible and structured way that Ms Domet goes about the process of having her reader organize his project. The book is broken up into sections in which you are always aware of where you are in your journey. For the first 21 days, you have daily assignments to complete, from coming up with character bios, to brainstorming plot ideas, to writing sample scenes to help you come up with ideas. The author is a huge fan of beginning with an outline for your novel, and throughout these first 21 days, you are constructing this outline and refining it.

Starting with Week 4, (Day 22), you no longer have daily assignments. Now you switch to weekly assignments. Each week will contain between three and four assignments in which you continue tweaking your outline but also start writing the content. The premise of the book is that by the end Week 13, you have a solid first draft.

Now, let me clarify that the title of the book is a bit misleading. This is, after all, a first draft you are holding at this point, not a finished novel. You now have to begin the painstaking process of revising your work, cutting things that don’t work, adding things that are missing, polishing for flow, etc. Many accomplished writers will tell you that the revision process can be gut-wrenching and tedious. But this is what you must do in order to take that first draft and turn it into a polished novel.

So the question remains: Is Sarah Domet’s technique effective?

I can only offer my own experience on the matter. For a while, I thought I was really on to something as I completed assignments and churned out pages and pages of scenes that I thought for sure would end up in my finished novel.

Unfortunately, that is not what happened.

I will give Ms Domet credit as a published author who knows a thing or two about the writing process itself. But had I realized up front that she had never actually published a novel, I would have looked somewhere else.

My biggest complaint is that Ms Domet focuses way too much on issues that are external to the story itself; One example of this is what she calls “scene balance”. She seems to think that the author needs to carefully balance the number of external and internal scenes in the novel so that they are about equal. She defines an external scene as any scene where there is action going on, where a character is physically interacting with the world around him. An internal scene, then, by contrast, is a scene in which most of what is going on is happening in the character’s head. The character may be thinking, reflecting, having an internal monologue, etc.

I would say that we should let the story dictate the scenes that need to be included. Ms Domet wants her reader to use his outline and figure out how many external scenes and how many internal scenes are on it, and cut/revise to balance it out, long before her reader has even started writing the story. There is an old saying that goes something like “if you need to force it to make it fit, you’re probably doing it wrong.”

This has never been so true as it is here.

Another major shortcoming of this book comes when you begin working on Act II of your first draft. For those of you who do not know, Act II is the middle act of the familiar three act structure commonly used in storytelling. It is where most of your action takes place, and typically accounts for at least fifty percent of the word count of your book. At this point, Ms Domet asks you to do something that I find odd: She has you look at your outline, sort the scenes according to scene type, and then write all the scenes for that type before moving on to the next type.

In other words, she wants you to write all of your action scenes together. She wants you to write all of your dialogue scenes together. She wants you to write all of your introspective scenes together. Etcetera. Etcetera.

Now, don’t get me wrong. Filmmakers do this all the time. If you are making a movie, and every day you spend filming adds to your production costs, and you have three scenes that all take place at the same location, you film those three scenes all in a row. You let the editor put the scenes in order later, during postproduction. I know a thing or two about this process, as I have two film festival awards at home.

But in novel writing, this just seems silly. There is no compelling reason that I can think of to write your novel out of order, other than maybe you got into the zone for action scenes and so you just kept writing action scenes.

But what is the trade-off?

For starters, you lose the flow of your narrative. The novelist needs to be able to feel how his work is progressing, if the pace is too slow and needs to be sped up, or if the pace is too fast and needs to be slowed down. Often, a high-octane, edge-of-your-seat action scene needs to be followed by a slower scene, to allow the reader to catch his breath. Too many slow scenes in a row can make the book get stale. Too many fast scenes can detract from the substance of the story. But how are you supposed to get a feel for the flow of your work if you are writing the scenes out of order?

And what about continuity? In novels, scenes build on the scenes that come before. A later scene is influenced by an earlier scene. Something that has already happened will be brought up again later in the book. There is a natural flow to it. How can you have that if you wrote all the scenes out of order? You could argue that you can add these little nuances in later, but that sounds like extra work. I would just as soon get it right the first time through, and save my revision time for fixing bad writing rather than correcting continuity errors that were introduced by writing my scenes out of order.

I will admit that this is the point in the book in which I became very suspicious of what I had gotten myself into.

Of course, these are just my experiences. Someone else may feel that they benefitted from writing their novel following this schedule.

Let me just say I decided to stop following Ms Domet’s book. I finished reading it for any little insights she might have had for me. For instance, she offers lots of great coaching and solid tips on crafting plot and characters, things that she obviously knows about from her publishing experience. But I stopped using her book as a guideline for writing my novel.

In fact, I threw out almost everything I did when following this book, and started more or less from scratch. My completed urban fantasy novel, titled "Line of Sight: A Jake Presnall Novel" bears little resemblance to what I was working on when I was reading “90 Days to Your Novel.”

And so, my advice to the aspiring novelist out there, is put the story first. The story must come before all else. It must come before artificially and externally imposed restrictions like balancing out external and internal scenes. If you want to read any self-help books on writing, there are great ones out there. But focus on reading the books that walk you through the process of improving the actual substance of your writing. Check out Othello Bach’s “How to Write a Great Story: A Fiction Writer’s Handbook.” Or check out James Scott Bell’s “Plot & Structure: Techniques And Exercises For Crafting A Plot That Grips Readers From Start To Finish.” Another favorite of mine is “Writing the Breakout Novel” by Donald Maass.

The difference between these books and the book that I have just critiqued is simple. Rather than walking you through the novel writing process, they simply attempt to explain to you how to write a story that your reader will love to read. “How to Write a Great Story” gives excellent advice on improving the actual content of your writing, maturing you as a writer. “Plot & Structure” is a fascinating look at why some plots seem to work better than others, and gives practical and insightful tips on how to come up with your own plot ideas. “Writing the Breakout Novel” is written by a literary agent who wants you to know what other literary agents are looking for when they are trying to decide if your novel has the potential to become a “breakout novel.”

Thank you for reading. And good luck to you.

15 of 17 people found the following review helpful.
Excellent left-brain strategies to activate the right brain!
By Kelcey Parker
I love how this book provides the schedule and structure for writing a novel, thus freeing you up to activate your right brain and immerse yourself in your characters, scenes, and themes. But there's way more here than a stream of smart and timely assignments to keep you on track. Domet breaks down each assignment with examples from novels like The Great Gatsby, Lolita, My Antonia, Nobody's Fool, To Kill a Mockingbird, Housekeeping, and The Handmaid's Tale - and peppers each section with quotes from writers like Mark Twain, Joyce Carol Oates, and Dickens. AND there are excellent mini-lessons on key aspects of craft as well as keen reflections on the psychological demands of committing to 90 days of writing. I teach creative writing at the college level and am considering using this book in an upcoming semester, which, conveniently, lasts about 90 days.

90 Days to Your Novel is a truly comprehensive guide that takes you on an intense writing journey, offering encouragement, tough love, and great tips along the way.

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