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The Postman Always Rings Twice, by James M. Cain
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An amoral young tramp.��A beautiful, sullen woman with an inconvenient husband.��A problem that has only one grisly solution--a solution that only creates other problems that no one can ever solve.
First published in 1934 and banned in Boston for its explosive mixture of violence and eroticism, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside, and was acknowledged by Albert Camus as the model for The Stranger.
From the Trade Paperback edition.
- Sales Rank: #51322 in eBooks
- Published on: 2010-11-03
- Released on: 2010-11-03
- Format: Kindle eBook
Amazon.com Review
Penzler Pick, April 2000: It is sometimes easy to trace a literary genre to its source, and James M. Cain's first novel, The Postman Always Rings Twice, is the noir novel that paved the way for all the noir fiction that followed. The famous film starring Lana Turner and John Garfield is notoriously dark, but the novel is even more full of despair and devoid of hope. It is a short book--little more than a novella--but its searing characterization and depiction of tawdry greed and lust is branded into every reader's memory.
Frank Chambers, a drifter, is dropped from the back of a truck at a rundown rural diner. When he spots Cora, the owner's wife, he instantly decides to stay. The sexy young woman, married to Nick, a violent and thuggish boor, is equally attracted to the younger man and sees him as her way out of her hopeless, boring life. They begin a clandestine affair and plot to kill Nick, beginning their own journey toward destruction.
Horace McCoy, David Goodis, Jim Thompson, and the other notable noir writers never achieved Cain's spare brilliance. Virtually all of his major works have been filmed, though several Hollywood studios refused to make the films, directors refused to be involved, and actors turned down roles because of their repugnance at the lack of morality inherent in all Cain's characters. Reading him may not be fit for a Sunday school class, but once you begin you will be unable to resist continuing, like picking at a painful scab or watching a tarantula inside a glass dome. --Otto Penzler
Review
"A good, swift, violent story." --Dashiell Hammett
"A poet of the tabloid murder." --Edmund Wilson
From the Trade Paperback edition.
From the Inside Flap
An amoral young tramp.��A beautiful, sullen woman with an inconvenient husband.��A problem that has only one grisly solution--a solution that only creates other problems that no one can ever solve.
First published in 1934 and banned in Boston for its explosive mixture of violence and eroticism, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside, and was acknowledged by Albert Camus as the model for The Stranger.
From the Trade Paperback edition.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A LUCKLESS DRIFTER, AN AMORAL WIFE, A RECKLESS MURDER
By Lance C. Panzer
Poolroom hustler, con artist, auto mechanic, bum--Frank Chambers, after being thrown off a hay truck he'd stowed away on the night before, wanders into the Twin Oaks Tavern and talks the owner into a giving him a free lunch. Then the owner offers him a job fixing cars. Frank hesitates. Then he sees the owner's wife. Frank takes the job.
Thus begins this tawdry tale of desperation, lust and lies. Published in 1934 and banned in Boston for its violence and eroticism, "The Postman Always Rings Twice" is like back alley fisticuffs--it ain't pretty, but it works.
"I sunk my teeth into her lips so deep I could feel the blood spurt into my mouth. It was running down her neck when I carried her upstairs."
No, this isn't "Romeo and Juliet." It's two careless people who somehow fall in love in spite of each other and then convince themselves they can get away with murder.
The results are less than spectacular.
This story is bare-knuckled, unflinchingly masculine, and briskly told in 116 pages. Frank Chambers himself narrates, peppering the narrative with 1930s colloquialisms and a drifter's outlook.
It's as American as a motorcycle cop on a California highway.
I should also state for the record, both movie versions of this book were terribly miscast.
2 of 3 people found the following review helpful.
As intense and exciting as any crime novel I've read
By Craig
Despite only taking a few hours to complete, this was as intense and exciting as any crime novel I've read. James M. Cain manages to squeeze a whole novel's worth of characters, plot twists, and emotions into only 116 pages. Like Ernest Hemingway, Cain employs a minimalistic writing style to fashion uneducated, "simple" characters with complex emotional undercurrents. He knows when to understate a scene and when to use vivid, erotic images to shock his readers. His pacing is nearly flawless, except for one awkward scene with the briefly-mentioned Madge Allen character. And the conclusion, while somewhat of a cliche, is typical of the best 1930's roman noir fiction.
The only reason I gave this book 3 stars instead of 4 is that I wish Cain had added more dialogue and development scenes at the beginning to show how Frank and Cora fell in love and fed off each other's neuroses.
0 of 0 people found the following review helpful.
Really easy and fun book to read and seems like a ...
By Chris Ahern
Really easy and fun book to read and seems like a precursor to many of the mystery type writers that have followed him. Worth a read.
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